Putting musicality into writing

I came to guitar lessons late. So all those neural pathways hadn’t been opened when I was young and I had no latent muscle memory to draw on. But I have a very patient tutor who teaches me fingerstyle guitar. This means I learn pieces that play bass, harmony and melody all in the same shazam, so to speak.

He says if my guitar were a string quartet, the 3 bass strings would be the cello, the two middle strings would be a viola and a second violin, the top E would be the first violin (if I got that wrong, apologies to my tutor, he would would have got it right, I would have misheard).

What I’ve struggled with, is the musicality. I tune the guitar, follow the time, the beat, I play each crochet, quaver and hammer-on as its written on the page – but, it’s kind of staccato; accurate (occasionally) but soulless. Only recently have I learned to listen to the music, to its rhythm; to let the melody flow, drive time with the bass, harmonise the two. To play the piece rather than just the notes.

So, you can see where this is going…

I complete the first draft of my story and when I edit and rewrite, I do all those good things we know about: I tighten up the dialogue, weed out the passive voice, kill a few darlings, escort adverbs off the premises, simplify simplify simplify, polish until every sentence is a little smug sparkly pearl. And… yes, it’s nice writing but it can be kind of staccato and soulless too.

So now I go back and listen to the voice in my story, to its rhythm, and I try to put the musicality back in. I try to let it flow; let it sing. Play each note accurately, for sure, but remember they’re part of a whole, that they must flow from one to another, and not merely pop up in the correct order. In other words, and to flog this analogy one last time, to write the story rather than just the words.

No points for a heartfelt attaction

Fantastic to see my short story, ‘No points for a heartfelt attachment’ published in this anthology. Amazing. Who would have thought a tale about cryptic crosswords would find itself nestled among such august company. My mother would have been happy to know it was because of her love of these puzzles that I wrote it.

Happy Family: bloggers’ reviews

Screen Shot 2020-01-27 at 18.07.26Happy Family has completed its blog tour and the results are in. Huge thanks to all of the book bloggers, and to Anne Cater who arranged the tour.

Blog tour reviews:

You can read other reviews of Happy Family on Goodreads and Amazon – and if you have read the book, please leave a review too. They all help.

Happy reading.

 

Facebook school friends: let’s move on

Version 3I am in contact with only two of my schoolfriends. By contact, I mean we actually meet face to face – until COVID, that is. With everyone else, either the bonds weren’t strong enough or I was too lazy to keep things going. But having more past than future can make one twitchy, and I recently found myself reflecting on what happened to everyone and what life threw at my classmates.

Inevitably, Facebook knew. Just a few clicks found a group dedicated to my school’s alumni. And there they all were (well, most of them), my classmates: the good, the bad and the extremely naughty; all grown-up.

Joining the dots between then and now is a bitter-sweet experience. Judging by the tone of the posts, they haven’t aged at all – but the Facebook photographs suggest otherwise. We look like our parents and some of us look like our grandparents. Especially me. Gravity takes its toll and the weight of years has led to dodgy knees and bald heads – or is that just me again?

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Not everyone in my year has joined the group and most of those who have, dip in and out. Interestingly, those with whom I have kept in touch don’t appear in the group either. I’m not sure what that says but I think it says something. Perhaps we died and no-one told us.

There are, however, a few who post comments all the time, feeding memories with an enthusiastic regularity. The irony is, I remember them being the keenest to leave school. Perhaps it is a way of being young again; the posts a verbal teenage avatar. I suspect a few might prefer who they once were to who they are now – or maybe they see a chance to rewrite history by replacing their old self with a modern version? Time, the great leveler. Be nice now and people might forget what an awful shit you once were.

Maybe that’s mean, but friends I remember being pushed to the fringes of playground society are now in cheerful discourse with those who pushed them there. That’s good and long may it continue, but I wonder if this social re-balancing would last were we all to be physically reunited for more than a day or two. It’s hard to imagine Piggy sharing rose-tinted memories with Roger and Jack on their post-apocalyptic Lord of the Flies Friends’ page. ‘Do you remember that lovely time you stole my glasses and then dropped a boulder on my head?’

Talking of Piggy, I was hoping to find some posts about me but disappointingly my name seldom crops up. I am so absent I had to check I actually went to that school. It seems I left little or no impression on anybody which is odd because I have a clear recollection of being extraordinarily popular. Too bad that’s a memory nobody else shares.

However, other, darker, memories are posted. Complaints of casual racism, chronic bullying and punitive abuse by teachers. But just as casually, any attempt to discuss these traumas are closed down with comments such as ‘that was then and this is now’ and ‘it’s best to move on.’ Best for whom, one wonders? And move on to what? Voices unheard all those years ago remain unheard; the idyll is not to be broken. I am reminded that it is dangerous to be different. That is true now and it certainly was then. Screen Shot 2020-05-17 at 12.24.37

And so the posts return to safer ground with questions such as ‘who was your favourite teacher’ and ‘what music did you dance to’. I liked to play air-guitar with my head in a bass speaker. I have no idea why but time passes and it’s best not to look for motives where there are none. It’s just what we did.

I have a platonic relationship with the past. I don’t want to forget it but I also don’t want to relive it. I would jump at the chance to be sixteen again (knees permitting), but only if I could take my current mind with me. I suppose like most people I am trying to walk up Time’s down escalator.

Being social media migrants means we must be careful about getting carried away in an online world. We might forget this jaunt down memory lane is in reality a public and open forum. Feelings can be hurt, confidences broken, libel laws breached. Worse still, we might encourage each other to wear cheesecloth and cream baggies again.

One day we will all know everything about everyone. There will be no secrets and the past will sit side-by-side with the present. Only the future will remain unknown and unknowable, as COVID-19 has demonstrated. But that’s how it should be. “That was then and this is now” is indisputably true, but it’s tomorrow that interests me. And (at the moment) not even Facebook knows for sure what that will be.

Happy Family book launch: James Ellis in conversation with Germaine Kiecke – Saturday April 25th

I am very excited. The London launch of Happy Family will be on Saturday, 25 April at the brilliant independent bookshop, Nomad Books. It will start at 18.45.

The reason I’m so excited is because as part of the launch I am going to be interviewed by Germaine Kiecke – art academic, TV journalist and lead character in Happy Family. As you can imagine, getting someone with Germaine’s credentials to appear in person is a real coup, and I am indebted to Hannah Robins-Frank for helping Germaine make the unusual journey from fiction to reality. I absolutely cannot wait.

After the interview there will be some Q&A and a short reading. Alcohol and refreshments will be available – and I have no doubt we shall repair to a local pub later on for more launching.

Please come along and if you have a copy of the book, bring it along too and I can sign it. If not, there will be plenty on sale. Let me know if you can make it.

The shape of something

I have an idea, elusive and shadowy, but definitely there. The shape of something. The right something. It needs to be pushed and prodded (gently), given substance by being handled. Coaxed into the light so I can see it more clearly. A story. A novel. A something…

I am not a plotter. At least, not yet. Let the characters talk. Get a flavour of their voices; the tone of their behaviour. For now leave the ‘plot’ up to them – the sequence of events and the order in which those events unfold.

The crafting and honing and structuring and arcing and three-act-versus-fiveing, and the sanding and polishing and waxing and editing and proofreading and welding and cutting and turning and trimming and changing and sewing and betareading and previewing and wrapping-up-and-tying-in-a-bowing and serving-up-on-a-dish-for-your-delectationing, all can wait.

The things I want to write down, to capture wholly, comprehensively, exhaustively and to my satisfaction, are caught up in that twisting tumbling shape. They are the shape. They are to do with being and not being; the little things and the big things; things I’ve seen and known and things I wish I had; moments and continuums.

An Other’s Look has another title

After much discussion the working title of my second novel, An Other’s Look, has been changed to Happy Family.

I love this title because it works at so many different levels. The book is scheduled for release in early 2020 and it has now been through two rounds of developmental editing, a full line (copy) edit, and a full proofread. And some very nice things have been said about the book along the way – here are a few examples:

‘The novel feels extremely fresh and contemporary … One  of the clever things about the novel is that it shows how rather than bringing families together in the same way that board games such as Monopoly, Battleship, Cluedo etc used to, AR games can be used to drive families apart and further isolate the individual from society.’

‘As a comment on the way modern day game development could affect the whole idea of the happy family, and its invasive potential repercussions for vulnerable players, it is a sobering piece of work.’

‘Its imagined snapshot of the huge part AR may have to play in the future, and the hefty price tag consumer expectation versus reality may come with … is both fascinating and terrifying in equal measures. A particularly effective scene showing the disconnect between reality and the imagined world is both perfectly imagined and genuinely frightening.’

‘Could you please tell the author that I really enjoyed this book … I could even picture the characters… and who should play them in the film!’

I can’t wait to see the cover design.

Cartoons

Back in the late 80’s and early 90’s of the last century (oh that feels bad) I had a brief but rewarding period drawing cartoons for a magazine called the Freelance Informer. Sadly, that fine magazine for the IT contracting industry has long since published its final issue but it remains a treasured memory.

I drew six panel cartoons and five strip cartoons. They are dated – this was a time when desk top publishing (DTP) was a new thing, and ‘cutting and pasting’ still meant just that (I have kept my scalpel) – and, to be honest, they’re not that funny or even that good. This was never going to be a career because I can’t draw. But I was young and immortal and knew no better. And I liked them.

Looking at them now I’m struck by their innocent air and clean finish. I remember taking great pains to remove all the working lines. and simplify the outlines as much as possible. That minimalistic approach, the polishing to hide the hard work, rears its deceptive head in almost everything I do these days. Blame the 60’s and the cartoons of Hergé and Schulz and Mad magazine. I do.

Foolishly, I didn’t keep copies of the entire magazines, only the pages on which my work appeared – again, my youthful vanity – but I do know the volume and issue numbers, so if anybody is out there that knows the dates please do share them with me. Specifically, they are:

  • Volume 5 numbers 8, 11, 12, 14 and 15
  • Volume 6 numbers 18, 23 and 24
  • Volume 7 numbers 8 and 13

Weeding words (not in an Elmer Fudd sense)

This is my incomplete but sometimes useful list for when I am down in the weeds of editing. I’m sure you will have your own lists but these are the words, phrases and elements of punctuation that regularly get the secateurs treatment.

Words:

  • actually
  • almost
  • appeared to
  • by (unwanted passive writing alert)
  • could
  • definitely
  • hopefully
  • in fact
  • just
  • less (vs fewer)
  • little
  • perhaps
  • quite
  • rather
  • really
  • seemed to
  • so
  • while
  • with (see ‘by’)
  • would

Plus:

  • any adverb
  • American spelling or not (depending on where you’re standing)

Punctuation

  • too many commas (or too few) – I, over-comma
  • hyphens – I over–hyphen
  • semi-colons – I love semi-colons; too much;
  • double full stop at the end of  a sentence or paragraph..
  • double  space following a full stop
  • missing full stop at the end of a paragraph
  • “” vs ‘

Feel free to add your own items in the comments box below.

Frome FM (96.6FM)

If you fancy some lunchtime conversation, tune into the Frome FM Book Club (96.6FM or online) on Friday, 27th April, at 1pm. I will be talking about An Other’s Look and how I came to write it.

I’m doubly excited about this because we’ll also be discussing Do Androids Dream of Electric Sheep? by Philip K. Dick and The Rabbit Back Literature Society by Pasi Ilmari Jaaskelainen. My book in such exalted company!