Happy Family is being serialised

As part of its pre-launch marketing process, Unbound have arranged for Happy Family to be serialised on The Pigeonhole. This is a great way to get reviews and build a buzz before its publication early next year. You can check it out and get early sight of the text here: https://thepigeonhole.com/books/happy-family. If you do, please a leave a review.

This is both exciting and daunting because even though it’s pre-publication, it’s now ‘out there’.

So, where are we in the overall publication process? Well, all of the editing and final proofreading is complete which is why The Pigeonhole can use the text. In the next two or three weeks I will see the roughs of the cover design – I can’t wait for that – and shortly before Christmas, pre-publication digital versions will be sent to formal reviewers to get cover quotes – perhaps some of The Pigeonhole reviews will be used too.

After that, around February, it’s the full launch of the actual book and distribution to bookshops. Hooray!

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An Other’s Look has another title

After much discussion the working title of my second novel, An Other’s Look, has been changed to Happy Family.

I love this title because it works at so many different levels. The book is scheduled for release in early 2020 and it has now been through two rounds of developmental editing, a full line (copy) edit, and a full proofread. And some very nice things have been said about the book along the way – here are a few examples:

‘The novel feels extremely fresh and contemporary … One  of the clever things about the novel is that it shows how rather than bringing families together in the same way that board games such as Monopoly, Battleship, Cluedo etc used to, AR games can be used to drive families apart and further isolate the individual from society.’

‘As a comment on the way modern day game development could affect the whole idea of the happy family, and its invasive potential repercussions for vulnerable players, it is a sobering piece of work.’

‘Its imagined snapshot of the huge part AR may have to play in the future, and the hefty price tag consumer expectation versus reality may come with … is both fascinating and terrifying in equal measures. A particularly effective scene showing the disconnect between reality and the imagined world is both perfectly imagined and genuinely frightening.’

‘Could you please tell the author that I really enjoyed this book … I could even picture the characters… and who should play them in the film!’

I can’t wait to see the cover design.

It was a dark and stormy night…

As the old joke goes: ‘There are three rules to writing novels. Unfortunately nobody knows what they are.’ I like that. Recently, I was a guest speaker at a writers’ workshop and I was asked what rules I follow. I paraphrased Elmore Leonard and said never start with the weather. It wasn’t a satisfactory answer.

The same questioner then asked me if I could recommend a good book that taught fiction writing. I quoted the old saw: ‘You can’t teach someone to be a good writer but they can learn.’ Again I sensed my reply had gone down badly. Specifics were needed. Well then, my questioner demanded, what have you learned?

I looked around. What had I learned? “Don’t force it,” I said.

“Beg pardon?”

Tips

“Don’t force it – if it’s not working, move on. And be thoughtful. Write thoughtfully. And don’t butt in when your characters are talking. Keep out of it and let them get on with it. And trust your readers. They’ll get it, they really will. Read it out loud all the time and when you’ve written it, whatever it is, put it away and let it brew. And most importantly, be you. Don’t be any other writer. Write like you write.”

There was an awkward silence.

“Any other questions?” I said. Fortunately, there weren’t.

 

Weeding words (not in an Elmer Fudd sense)

This is my incomplete but sometimes useful list for when I am down in the weeds of editing. I’m sure you will have your own lists but these are the words, phrases and elements of punctuation that regularly get the secateurs treatment.

Words:

  • actually
  • almost
  • appeared to
  • by (unwanted passive writing alert)
  • could
  • definitely
  • hopefully
  • in fact
  • just
  • less (vs fewer)
  • little
  • perhaps
  • quite
  • rather
  • really
  • seemed to
  • so
  • while
  • with (see ‘by’)
  • would

Plus:

  • any adverb
  • American spelling or not (depending on where you’re standing)

Punctuation

  • too many commas (or too few) – I, over-comma
  • hyphens – I over–hyphen
  • semi-colons – I love semi-colons; too much;
  • double full stop at the end of  a sentence or paragraph..
  • double  space following a full stop
  • missing full stop at the end of a paragraph
  • “” vs ‘

Feel free to add your own items in the comments box below.

For you to read

I’d like to tell you why I’m so excited by An Other’s Look that I can override my natural awkwardness and ask people to help me; why I am willing to thump the drum and rattle the cup and toot the whistle for pledges.

An Other’s Look is my second novel and builds on all that I thought I had learned when writing The Wrong Story. In this book I wanted to write about journeys and change and transitions, and I wanted to exorcise a few personal demons. I wanted the writing (and the reading) to be fun and I also had some unfinished business with three of the characters from The Wrong Story – Germaine, Tom and Gerard.

But two months into its writing I realised I hadn’t learned as much as I thought, and I had to go back to basics – and I mean basics: what the hell is a story anyway?  I knew where I wanted to go, I just didn’t know how I’d get there. As part of this reboot I thought I’d just let my characters talk and butt out while they did so. I’d let them chat to each other while I tried to figure out what to do.

But what happened was that their dialogue and interactions took over and drove the story forwards faster than I could type it. I’d found a working method that just flew. What emerged six months later was a story with plot lines that all converge on a lonely and isolated Spanish peninsula town called Las Sombras, in north-west Spain.

Hence the thumping and rattling and tooting. I can’t wait for you to meet these characters – the damaged academic, Germaine Kiecke;  the bereaved artist Tom Hannah and his new young muse, Alta; the Machiavellian Gerard Borkmann; the ageing voice-over artist Charles Cubberley, his Belgian wife Margot and his fellow actor and nemesis, Roger Pendleton; the sinister hotelier Rodolfo whose wife and father-in-law have both gone missing; his avenging sister-in-law, Luisa, and his wan, ghost-like son, Claudio. I even want you to meet the characters in Germaine’s parallel, augmented reality world of the Happy Family game.

After all, I wrote it for you to read.

(An Other’s Look is currently being crowdfunded by Unbound Books. You can pre-order a copy and support its publication by following this link.)

Frome FM (96.6FM)

If you fancy some lunchtime conversation, tune into the Frome FM Book Club (96.6FM or online) on Friday, 27th April, at 1pm. I will be talking about An Other’s Look and how I came to write it.

I’m doubly excited about this because we’ll also be discussing Do Androids Dream of Electric Sheep? by Philip K. Dick and The Rabbit Back Literature Society by Pasi Ilmari Jaaskelainen. My book in such exalted company!

The Wrong Story Blog Book Tour

The Wrong Story, is going on a blog book tour. Here’s the poster with its itinerary. I’ve asked it to send postcards. Do you think I should have a tour T-shirt made up?

The Wrong Story Blog Tour Poster

By the way, if you want to help its sibling to get out there and join it, there’s still time to pledge for An Other’s Look at https://unbound.com/books/an-others-look/