I’d like to tell you why I’m so excited by An Other’s Look that I can override my natural awkwardness and ask people to help me; why I am willing to thump the drum and rattle the cup and toot the whistle for pledges.
An Other’s Look is my second novel and builds on all that I thought I had learned when writing The Wrong Story. In this book I wanted to write about journeys and change and transitions, and I wanted to exorcise a few personal demons. I wanted the writing (and the reading) to be fun and I also had some unfinished business with three of the characters from The Wrong Story – Germaine, Tom and Gerard.
But two months into its writing I realised I hadn’t learned as much as I thought, and I had to go back to basics – and I mean basics: what the hell is a story anyway? I knew where I wanted to go, I just didn’t know how I’d get there. As part of this reboot I thought I’d just let my characters talk and butt out while they did so. I’d let them chat to each other while I tried to figure out what to do.
But what happened was that their dialogue and interactions took over and drove the story forwards faster than I could type it. I’d found a working method that just flew. What emerged six months later was a story with plot lines that all converge on a lonely and isolated Spanish peninsula town called Las Sombras, in north-west Spain.
Hence the thumping and rattling and tooting. I can’t wait for you to meet these characters – the damaged academic, Germaine Kiecke; the bereaved artist Tom Hannah and his new young muse, Alta; the Machiavellian Gerard Borkmann; the ageing voice-over artist Charles Cubberley, his Belgian wife Margot and his fellow actor and nemesis, Roger Pendleton; the sinister hotelier Rodolfo whose wife and father-in-law have both gone missing; his avenging sister-in-law, Luisa, and his wan, ghost-like son, Claudio. I even want you to meet the characters in Germaine’s parallel, augmented reality world of the Happy Family game.
After all, I wrote it for you to read.
(An Other’s Look is currently being crowdfunded by Unbound Books. You can pre-order a copy and support its publication by following this link.)